Ord: Max Bülow Lassen // Foto: Line Svindt
Under årets SPOT+-konference fandt filmkomponisterne Jonas Struck og Jenny Rossander, bedre kendt som Lydmor, vej til Aarhus til en snak om deres tilgang til filmkomponering.
By: Max Bülow Lassen // Foto: Line Svindt
During this year’s SPOT+ conference, film composers Jonas Struck and Jenny Rossander, aka. Lydmor, found their way to Aarhus for a talk about their work as film composers.
By: Henriette Szocska // Photo: Line Svindt
At one of Saturday’s last SPOT+ conferences there was still plenty of laughs to be had and questions to be asked as we were invited to nothing less than a good ol’ “sync-off”. The contestants were Halfan E. (BFM), Andreas Mølbak Henriksen (Upright Music), Mette Zähringer (Iceberg Music Group), Yebo (Crunchy Frog), and Laura Littauer (Sundance Music).
Ord: Henriette Szocska // Foto: Line Svindt
Til et af lørdagens allersidste seminarer på SPOT+ var der stadig overskud til grin og masser af spørgsmål. Der var nemlig lagt i kakkelovnen til en god gammeldags dyst. Blandt de spændte deltagere var Halfdan E. fra Brancheforeningen for Film og Mediekomponister, Andreas Mølbak Henriksen fra Upright Music, Mette Zähringer fra Iceberg Music Group, Yebo fra Crunchy Frog og Laura Littauer fra Sundance Music.
Ord: Henriette Szocska // Foto: Line Svindt
Stort set alle har adgang til streamingtjenester mod et mindre beløb. Det betyder også, at stort set alle, har adgang til stort set alt musik. Og som musiker tjener man i dag minimalt på at have sin musik liggende ude på streamingtjenester. I en paneldebat var der til SPOT+ samlet et panel bestående af direktør af Digidi, Henrik Leschly, stifter af Hun Solo og tidligere forsanger i Blue Foundation, Kirstine Stubbe Teglbjærg og kryptokunstner, Jonas Kasper Jensen. Henrik Leschly lagde ud med at ridse nogle ret vilde pointer op, der sætter musikernes indtjening på spidsen.
By: Henriette Szocska // Photo: Line Svindt
Just about everyone has access to streaming services. That also means that just about everyone has access to just about all music. And as a musician, you earn very little from having your music available on streaming services. To discuss new ways of monetizing music, SPOT+ had gathered a panel consisting of director of Digidi, Henrik Leschly, founder of Hun Solo and former lead singer of Blue Foundation, Kirstine Stubbe Teglbjærg, as well as crypto artist Jonas Kasper Jensen. Henrik Leschly began the discussion by listing some quite outrageous facts about musicians’ income sources.
Ord: Max Bülow Lassen // Foto: Line Svindt
Niels Mosumgaard, direktør for Musikindustriens Netværk, fundet vej til årets SPOT+-konference for at præsentere erhvervsnetværkets forslag for en samlet dansk eksportstrategi for musikbranchen. Forslaget er udarbejdet på baggrund af to nyligt udgivne rapporter om den danske og europæiske musikeksportstrategi, som begge kalder på en omkalfatring af vores forståelse af musik som eksportvare.
By: Max Bülow Lassen // Photo: Line Svindt
Niels Mosumgaard, director of the Music Industry’s Network, found his way to this year’s SPOT+ conference to present the trade network’s outline for a collective export strategy for the Danish music industry. The plan was created in the shadow of two recently released rapports on the Danish and European music export strategy that both call for wide-spread changes to our understanding of music as an export product.
By: Henriette Szocska // Photo: Line Svindt
Artist manager Rasmus Damsholt had invited four panelists to talk about facilitating and executing concerts. Present was singer Jenny Rossander, better known as Lydmor, drummer from Nephew, Kristian Riis, artist manager Morten Riis, and project head at Det Turkise Telt, Camilla Aneto. Each one of them has experience exploring more alternative and creative approaches to concerts.
Ord: Henriette Szocska // Foto: Line Svindt
Artist manager Rasmus Damsholt havde inviteret fire panelister til en snak omkring facilitering og eksekvering af koncerter. Til snakken var sangerinde, Jenny Rossander, bedre kendt som Lydmor, trommeslager fra Nephew, Kristian Riis, Artist manager, Morten Riis og projektansvarlig for Det Turkise Telt, Camilla Aneto. De har hver især erfaring med at udforske mere aparte og kreative måder at afholde koncerter på.
